juliasegal:

I don’t know who Boggins is…but I am pretty sure we should save him.

I know who Boggins is and I’m still undecided.

juliasegal:

I don’t know who Boggins is…but I am pretty sure we should save him.

I know who Boggins is and I’m still undecided.

12 notes

juliasegal:

Vodka gun…

juliasegal:

Vodka gun…

53 notes

waxandmilk:

More Bill Murray and basketball.

via rapvsweden / nbaoffseason

49 notes

juliasegal:

fashionofthechrist:86400:


(via kapi0)
I can’t stop myself from reblogging this.  I’m a sucker.

haha

juliasegal:

fashionofthechrist:86400:

(via kapi0)

I can’t stop myself from reblogging this.  I’m a sucker.

haha

225 notes

juliasegal:

lotusmodern:digistim:


Run DMC and The Beastie Boys

juliasegal:

lotusmodern:digistim:

Run DMC and The Beastie Boys

82 notes

juliasegal:

World Wildlife Fund?

juliasegal:

World Wildlife Fund?

197 notes

andrewromano:

Early color photographs by Saul Leiter:

Saul Leiter started shooting color and black-and-white street photography in New York in the 1940s. He had no formal training in photography, but the genius of his early work was quickly acknowledged by Edward Steichen, who included Leiter in two important MoMA shows in the 1950s. MoMA’s 1957 conference “Experimental Photography in Color” featured 20 color photographs by Leiter. After that, however, Leiter’s personal color photography was, for the most part, not shared with the public. He became better-known as a successful fashion photographer in the 1950s and 60s. All the while, Leiter continued to stroll the streets wherever he was (mostly New York and Paris), making photographs for his own pleasure. He printed some of his black-and-white street photos, but kept most of his color slides tucked away in boxes. It was only in the 1990s that he began to look back at that remarkable color work and start to make prints.

andrewromano:

Early color photographs by Saul Leiter:

Saul Leiter started shooting color and black-and-white street photography in New York in the 1940s. He had no formal training in photography, but the genius of his early work was quickly acknowledged by Edward Steichen, who included Leiter in two important MoMA shows in the 1950s. MoMA’s 1957 conference “Experimental Photography in Color” featured 20 color photographs by Leiter.

After that, however, Leiter’s personal color photography was, for the most part, not shared with the public. He became better-known as a successful fashion photographer in the 1950s and 60s. All the while, Leiter continued to stroll the streets wherever he was (mostly New York and Paris), making photographs for his own pleasure. He printed some of his black-and-white street photos, but kept most of his color slides tucked away in boxes. It was only in the 1990s that he began to look back at that remarkable color work and start to make prints.

44 notes

From Paul Nicklen’s Polar Obsession

From Paul Nicklen’s Polar Obsession

juliasegal:

Disney Family Guy?

juliasegal:

Disney Family Guy?

96 notes

juliasegal:

gotafli:

She’s gonna buy me a diamond ring…

MOCK! YEAH! ING! YEAH! BIRD! YEAH! YEAH!

The best comedy film ever.

juliasegal:

gotafli:

She’s gonna buy me a diamond ring…

MOCK! YEAH! ING! YEAH! BIRD! YEAH! YEAH!

The best comedy film ever.

75 notes

This is why I don’t play RPGs. Mastery all the way.

[Flash 9 is required to listen to audio.]

116 Plays • Download

brvtalbrodeo:

whiskeyandgoatsmilk:

Booker T and the MG’s - Green Onions

“the cady? wheres the cady? the old blues mobile we had.”

i traded it

“you traded the blues mobile for THIS?”

no. i traded it for a microphone

“……ok i can see that”

15 notes